Of course, we expect that eventually Kinsey will discover the three cases are actually linked, but this doesn’t happen: the book’s three plotlines remain resolutely unconnected except insofar as Kinsey’s busily investigating them all at the same time. And finally there’s the problem of Kinsey’s new neighbors, who seem to be something other than what they’d like the world to believe they are. Then there’s the matter of a divorcing wife who wants, as one last piece of revenge, to swipe from under her husband’s nose the Turner painting he doesn’t realize he owns. The most significant of the three cases concerns a man who has obviously behaved appallingly throughout his life and who, as Kinsey teases out more evidence, seems to have been - still indeed be - a serial killer. It’s 1989 and series PI Kinsey Millhone works on three cases alongside each other, all of them pro bono, and in so doing discovers that an opinion she’s held about someone for years was in fact misplaced.
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